Jacqueline began riding horses at the age of 3, quickly becoming an polished equestrienne. She grew up encircled by incredible wealth and privilege, perpetually expected to dress well and to appreciate the beauty that surrounded her. Her grandfather=s highly fictionalized story of the family=s french background Amade the impressionable young Bouviers feel far contrasting from most Ameri slews, far more special . . . [giving them] the illusion of a status far above that of the great mass of Americans and [forming] the tail end of the aristocratic airs Jacqueline came to display as she got older@ (37).
Davis writes, ADuring the world-class six or seven years of her childhood, . . . Jacqueline led the life of a young princess, a happy, privileged interlude just of accomplishments among exquisitely beautiful and luxurious surroundings and doting parents and grandparents@ (39). Her parents= lugubriousness eventually brought an end to this idyllic perfection, but their divorce did not deprive her of her comfortable surroundings or affect her obedience to her horses and her studies. She made her formal debut into Newport Society just in advance her eighteenth birthday and then
She discovers that living in a mostly- pureness community and sending her son to a mostly-white school is isolating. Yet moving to a preponderantly obtuse community in New York City in addition has its restrictions. In a friend=s home there, she realizes, AAnger was perpetually present whenever the subject of whites entered our conversation . . . I had hear white folks ridiculed, cursed and envied, but I had never heard them dominate the entire intimate conversation of a black family@ (36).
Yet Maya=s mother Vivian provided a striking usage model for her daughter to peter out out of the restrictions of societal expectations.
Angelou recalls a meeting with her mother in a Fresno hotel just months afterward the ending of the color barrier forced proprietors to allow blacks to combine with the white guests. Vivian announces that she has decided to become a merchant marine, already having become a surgical nurse, a realtor, a barber, and a hotel owner, A>because they told me Negro women couldn=t get in the union . . . [so] I told them, AYou want to bet?@ I=ll put my foot in that door up to my hip until women of every color can walk over my foot, get in that union, get on board a ship and go to sea=@ (30).
Although Jacqueline achieved some occupational group and personal success on her own, most of her fame and prominence came as a result of being the wife of two kinda different wealthy, powerful men. As a daughter of privilege, she was precisely following the example expected of someone of her class, her family, her cultural background, and her gender. She clothe new standards for the role of First Lady, but those standards had everything to do with who she had been raised(a) to be. She provides a magnificent example of a wealthy, high-born, white charwoman in mid-twentieth century American society.
Maya used the examples and expectations of her heritage to break rules and cross barriers. She started as a singer and dancer, using talents versed first in church to reach out to mainly black audiences
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