In my modest opinion, the film Millers Crossing is Ethan and Joel Coens greatest
achievement to date, even greater than Fargo and Oh companion Where Art Thou. The altogether
criticism Ive heard of this film has to do with the over-acting--a criticism that has been
directed at more than one Coen film. Admittedly, Coen screenplays read more like novels than
movie scripts and ar not always actor-friendly.
The story starts with Tom (Gabriel Byrne), a trustworthy lieutenant of a crime boss named Leo
(Albert Finney) who is in a Prohibition-era turf state of war with his major rival, Johnny Caspar (Jon
Polito). A earthly concern of principle, Tom nevertheless is romantic wholey involved with Leos lover (Marcia
Gay Harden), whose insane brother (John Turturro) escapes a hit ordered by Caspar only to
become Toms problem. Making matters worse, Tom has outstanding gambling debts he cant
pay, which keeps him in regular touch with a punishing enforcer.
The friendship among Leo and Tom is severed when they both fall in love with Verna. Tom
joins ranks with Johnny Caspar, and a bloody gang war erupts. A little kingpin with an inferiority
complex, he is easily manipulated by Tom, who convinces him that his henchman Dane is in
cahoots with Bernie, allegedly Danes homosexual lover.
Whether straight or gay, the brutes find
it unachievable to cope with their feelings, which erupt in a volley of bullets and bashed brains.
If Toms center of attention is pierced at all, it is merely for taking the pulse of the times.
The Coens atomic number 18 playing a controlling game, the same as their jut of characters, and control
frustrates passion, irrevocably. Love among these gangsters is a hard-luck affair
With all the energy the Coens put into their films, and all their focused appreciation of genre
conventions and rules, and all their...
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