In the film El Norte (Gregory Nava, 1983)

El Norte refers to the linked States, and much specifically to Los Angeles, the mall viewed as an economic mecca to which these peasants flee when heart at seat becomes untenable or when they simply try the work they can non find in their own region. Life is precise different in this city, though how different is something these race do not know until they arrive there. They know that pack in the United States have a higher standard of living-- whizz cleaning woman notes that even the poorest people have toilets comparable that of Don Rodrigo. What poor they know about the United States comes from old magazines and from stories told by people who have been there. They believe life there is easier than it really is. They atomic number 18 willing to work hard, of course, but they do not involve how difficult it is to work without a Green Card.

The film begins in the middle of the ongoing economic and po illuminateical problems of the peasants in Guatemala, showing how they live, how they are used by the rich landowner, and how that landowner uses paramilitary force power to fight any effort to organize or gain control. Many of the peasants are radicalized by their encounter and union rebel groups, while others peckk toe scape raw and go north to find opportunity. The film humanizes the story of the expedition north by focusing on a comrade and sister and their spec

The journey takes up a large portion of the film and serves as a metaphor for the change in cultures experienced by these ii people. The struggle they undergo on the journey is only the solution of the struggle they will have to undertake to fit into the natural domain of a function to which they are going. The world they are leaving is one closer to nature than their new home will be. This is express before they intrust when the sister waits for her brother in the woods, picks a flower, and pets a goat. Her dreams are made clear when she goes home and looks at the wonders of America in a magazine, specifically kitchens that look wondrous to this newfangled woman who has cooked over an open fire in the middle of her more primitive kitchen.

As she and her brother leave their village, she looks back and sees the village behind her. They move away from their home and into a wilderness area, up a mountain and away to the north.

ific problems in seeking to escape, in traveling through several(prenominal) countries over difficult terrain in order to get to the U.S. border, in crossing that border, and in trying to live in the United States without being arrested, without being exploited, and while staying together.

The brother and sister experience the worst of their journey when they have to crawl through a long drainage pipe, and on the other side they see San diego, shown in the film only as a world of lights at night. This contrasts with the earlier image of the village, which at night is lit by candles, torches, and other firelight. Los Angeles is shown first at night as well, and it is a huge place, with towering buildings, electric lights, and more people than these two have ever seen in one place before. The next view of the city is by day, and now it is wind-swept, not as clean as it looks at night, and contains ill-kept motels and similar unusual structures showing a side of the city more like a border town in some respects. The young woman now sees the kitchen of t
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