Friday, November 9, 2012

The Piano Tuner

In his description of his passageway theater experience, we train that Drake is lured deeper into the heart of Burma by its picture, "Since the first flush of my arrival, when sleepless with excitement, I took to the streets to explore and found myself at the acuity of a yokthe pwe, a puppet drama, I select locomote in love with the art" (Mason 133).

Everything about the setting in Burma seems to appeal to Drake. His fascination is meant to show the theme that when we encounter things we have never experienced before they often change us and we are never quite the same after struggled. This will be Drake's fate and setting is use to announce the fighting in the midst of British and Burmese cultivation. However, instead of ethnocentrism, Drake exhibits enthusiasm and deep postponement for Burma and its customs. The setting seems to appeal to Drake, to lure him into the heart of a culture foreign from his own. Like a beautiful Burmese women will, Burma and its setting seem to appeal to Edgar on a personal level. We see this when he describes a row of pagodas, "Edgar found himself standing at the base of a slope lined with dozens of weakened pagodas, rising to the golden pyramid that had winked at him from the river, now massive, sublime" (Mason 89). Though the pyramid seems to wink at Edgar, its massive and towering presence help foreshadow the fact that though nigh Burmese may welcome the British they are in hostile and imposing filth for the most part. It is a conflict th


Diction is also used to foreshadow the events at the end of the story. Drake's death stems from the hostile territory he is in because of British colonialism. Drake's own views on British rule change and he ultimately views them as absurd. opposite imagery in the novel helps to illustrate this culture jar that leads to Edgar's death. The rare Erard piano itself is an image that is meant to contrast the divisions between British and Burmese culture. Yet it also shows the ethnocentrism that even those manage Carroll emit toward the Burmese on one level. Carroll maintains about the piano, "Indeed, if we are to perform these people our subjects, must we not present the best of European civilization? No one was ever harmed by bachelor" (Mason 146).
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Drake is also lured into the fancy world of Burma because of Carroll's zealous desire to necessitate peace through music and medicine.

at cannot be refractory peacefully and the contrast in setting is used to foreshadow this conflict that will result in Drake's demise.

The image of war is omnipresent in the novel. The Anglo-Burmese conflict is pervasive in Burmese culture. The imagery of war becomes intertwined with the imagery of music from Drake's perspective, much like his images of the reality of London become inextricably interwoven with the fantasy images of Burma. Mason is foreshadowing the ultimate inability of music to form peace between such conflicting worlds. However, we see that Drake believes in this power of music. A mild-manner piano tuner lured into a barbarian world in Burma, Drake is partially lured into the fantasy of Burma because of his belief he can change things. We see this when he uses pieces of a castle to make music, "He liked the idea that he could take a crap the very wall of the fort, a product of war, and transform it into the mechanics of sound" (Mason 201). Ultimately, though, Drake is unable to achieve this transformation in society.

foreshadow is used throughout the novel. For t
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